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Take a look at our Distinctive Literary Journal & Arts Magazine with Art Essays, Literary Writing & Resources for Creatives

ART TIMES is the go-to source for writers, painters, sculptors, film makers, actors, musicians and people looking for calendar listings, opportunity listings, arts schools, theatre auditions, juried art shows, performance locations, and writing competitions. Over the past 30 years that we have been publishing, numerous individuals have thanked us for leading them to galleries where their work is shown, companies who have produced their music and plays as well as to competitions where they have won awards and acclaim.

Explore our site by going to the navigation bar above, there are hundreds of essays and resources for the creative spirit and those who appreciate good writing.
On this home page you will find links to our current printed issue and to essays and resources that are exclusively online and updated monthly.

New as of MAY 1
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Dawn Lille Paul Taylor's American Modern Dance
Henry P. Raleigh Free Movies

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Keep up with Cornelia Seckel as she is Out and About

Sarah Cohen's ARTSEEN
Rena Tobey's Lively Mind

More new essays to com


Wendy Caster The Tricky Limits of Color-Blind and Gender-Blind

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NEW Dance: Paul Taylor American Modern Dance
By Dawn Lille
Misty Copeland and Virginia Johnson Diversion of Angels 
Sean Mahoney, Parisa Khobdeh, Heather McKinley

…The sixteen- member group, as always, danced every step with a nuanced intensity, dissecting the space with a variety of qualities and ending every performance with as much energy as they began it. Each of these dancers is a unique individual, unbelievably rich in education and experience, but they are capable of melding as one when a work requires this. What a joy to experience them. (see essay)


(photo credit Paul B. Goode)

Theatre: The Tricky Limits of Color-Blind
and Gender-Blind
By Wendy Caster
African-American singer-comedian  Bert Williams in blackface
African-American singer-comedian
Bert Williams in blackface

Once upon a time, boys played the women’s roles in Shakespeare’s plays. Once upon a different time, Al Jolson and Eddie Cantor performed in blackface to great acclaim, and some brilliant black performers had to hide behind blackface to be accepted by white audiences. (African-American comedian-mime-singer Bert Williams, 1874-1922, once said, "A black face, run-down shoes and elbow-out make-up give me a place to hide.… (see essay)

Film: Free Movies
By Henry P. Raleigh
Free Movies, drawing by Henry P. Raleigh

…Among the many entertaining choices your modern television offers you nowadays is “Watch Free Flix- free movies instantly”. Ok, you can figure these won’t be Oscar caliber films, still that’s pretty generous. And there are a lot of them all arranged in convenient categories- you know, Most Popular, Crime, Drama and the like..… (see essay)

Travel & Culture/ Culturally Speaking
      Road Trip: LA to Seattle part 2
By Cornelia Seckel
Theresa Bernstein at her easel with the lost painting Moonlight Masquerade, 1915
Cornelia Seckel on thePacific Coastline

…We just couldn’t stop laughing as we each climbed into the baths completely immersing ourselves into this heavy and very dense mixture of volcanic ash, peat and mineral water. Calistoga has pure volcanic ash and mineralized hot springs water. Combining these two elements with Canadian peat makes the mud treatment as effective as possible and is designed for maximum heat penetration and buoyancy. While the volcanic ash cleanses and smooths the skin, the peat buoys you up and allows the mineral water's soothing heat to penetrate more deeply. And it sure did. (see essay)

Dance: Clark Center
By Jennifer Dunning
Alvin Ailey (Photo by Normand Mason)
Alvin Ailey (Photo by Normand Mason)

…Charles Blackwell, a dapper, genial black stage manager, had worked with Ailey in the 1957 Broadway musical "Jamaica." It had become clear to him that this new, charismatic young modern-dance choreographer was destined for great things after a much talked-about first New York program presented in 1958. …With one exception, the city's rehearsal places did not welcome black dance artists. And that exception offered only studios, though they were cleaner and more spacious than most. (see essay)

Art Review: “American Stories: 1800-1950”,
   at The Frances Lehman Loeb Art Center,
Poughkeepsie, NY
By Raymond J. Steiner
Louis Remy Mignot, “A Winter View from Newburgh, 1856 oil on panel

……Gleaned from their vast collection of over 20,000 paintings, sculptures, prints, artifacts, etc., Curator James Mundy, Director of the Anne Hendricks Bass Art Center, has chosen 59 works that he has divided into 3 Sections: People, Places, and Moments. There are some surprises — works by famous artists that have seldom (or never) been seen as well as some by little-known artists that ought to have had more exposure to the public — for example, Louis Remy Mignot whose "A Winter View from Newburgh, 1856" would have graced any of the "Hudson River School" exhibitions that I've seen.…… (see essay)
Louis Remy Mignot, “A Winter View from Newburgh, 1856 oil on panel

Peek and Pique: Feedback
By Raymond J. Steiner

…For myself, as Editor and writer, it’s all of a piece…and I do appreciate the ‘back and forth’ that sometimes takes place between me and my readers. So, receiving feedback on my Editorials, Reviews, and/or Profiles is appreciated (much better than not being read at all) since almost always I am getting information and insight into my (or my readers’) opinions. A positive response is, of course, preferred, but one has to admit that negative criticism can often be enlightening — a misguided notion or opinion, no matter how eloquently expressed, is surely better ‘outed’ than praised or promoted. ..… (see essay)

Get Social   Artists Take the Graveyard Shift
By Mary Alice Franklin
insomnia #12-27  by Julia Schwartz
insomnia #12-27
by Julia Schwartz

… As with all things social media: the more engaged, the better the community. The more you give, the more you typically get back. Share resources, pick each other's brains and give and receive feedback on current works-in-progress. Organize exhibitions or in-person meetings (in a safe and secure location), purchase work and support fellow artists. Prompt conversations about supplies, local exhibitions, famous works of art, processes, practices and techniques. Whatever it is you choose to discuss, make sure you “get social.” Isn’t that what “social” media is all about? (see essay)