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New Art Books / Videos

Compiled By RAYMOND J. STEINER
ART TIMES March, 2006

YALE UNIVERSITY PRESS: Willem Drost: A Rembrandt Pupil in Amsterdam and Venice by Jonathan Bikker. 224 pp.; 10 x 11 ½; 170 Illus., 20 in Color; List of Abbreviations; Notes; Documents; Bibliography; Indices. $95.00 Hardcover. Jonathan Bikker, researcher at Amsterdam’s Rijksmuseum, re-assesses and re-evaluates one of the more elusive students of Rembrandt van Rijn in this excellent new study. Beautifully illustrated and cogently argued, Willem Drost: A Rembrandt Pupil in Amsterdam and Venice covers the whole of the artist’s oeuvre — both actual and attributed. Includes a catalogue raisonné. *****
Building the Bank of England: Money, Architecture, Society 1694—1942
by Daniel M. Abramson. 320 pp.; 10 ¼ x 13; 257 Illus., 77 in Color; Notes; Selected Bibliography; List of Illustrations; Index. $95.00 Hardcover. A scholarly and in-depth look into one of England’s major institutions, Building the Bank of England is a handsomely produced book that takes the reader behind scenes that begin in the 17th-century and end in the 20th. A major undertaking and a comprehensive look into the interconnection between architectural design and social history, this volume will stand as a standard in the study of architecture for some time to come. *****
Sir Thomas Lawrence
by Michael Levey. 256 pp.; 9 3/8 x 11 3/8; 200 Illus., 60 in Color; Notes; Select Bibliography; Index. $75.00 Hardcover. Michael Levey, author and past Director of the National Gallery, London, re-evaluates the work of Sir Thomas Lawrence, British portrait painter and one-time president of the Royal Academy of Arts. As with many famously successful portraitists, Lawrence suffered the casual dismissal of critics as being lightweight. Levey, by reassessing the painter’s life, work (especially his drawings), and influence, reclaims Lawrence as a major figure whose accomplishments need reconsideration. A comprehensive and scholarly study. *****
Bodybuilding: Reforming Masculinities in British Art 1750-1810
by Martin Myrone. 352 pp.; 7 7/8 x 10 3/8; 170 Illus., 30 in Color; Notes; Selected Bibliography; Index. $75.00 Hardcover. A fascinating study of how culture, history, society, wars, and the artworld exert influence on the depiction of the ‘heroic’ male. Includes the work of such artists as Benjamin West, Henry Fuselli, William Blake, and others. Breaks ground on several and various fronts. ****
Circa 1700: Architecture in Europe and the Americas
(Ed.) Henry A. Millon. 248 pp.; 9 ¼ x 11 ¼; 201 Illus., 6 in Color; Index. $65.00 Hardcover. In Circa 1700
, twelve noted scholars offer up an exhaustive overview and commentary on the transformation of architecture in such major cities as Rome, Vienna, Stockholm, Saint Petersburg, Amsterdam, Lisbon, Quebec City, Lima, and a host of others during the worldwide influence of baroque architecture on both public and private buildings. Comprehensive and scholarly. *****
Cézanne in Provence
(Eds.) Philip Conisbee, Denis Coutagne et al. 312 pp.; 9 7/8 x 11 ¾; 345 Illus., 315 in Color; Checklist of Exhibition; Notes; Selected Bibliography; Index. $60.00 Hardcover. This lavishly illustrated and gorgeously produced book is the accompanying catalogue to an exhibition of the same name presently at the National Gallery of Art, Washington (thru May 7) that will then travel to the Musée Granet, Aix-en-Provence (Jun 9 — Sep 17). Published on the centenary of Cézanne’s death, Cézanne in Provence offers a comprehensive look into the artist’s explorations of his native Provence. A visual treat richly enhanced by scholarly research. *****
David Hockney Portraits
by Sarah Howgate et al. 248 pp.; 9 x 11; 295 Illus., 260 in Color; List of Plates; Notes on Sitters; Select Bibliography; Index. $60.00 Hardcover. Published to coincide with a traveling exhibition — Museum of Fine Arts, Boston (thru 14 May); Los Angeles County Museum of Art (11 June — 4 Sep); National Portrait Gallery, London (12 Oct — 21 Jan, ’07) — David Hockney Portraits claims him as “one of the most significant artists exploring and pushing the boundaries of figurative art today”, but I confess to not appreciating either the exploration or the boundaries sought. For Hockney admirers, however, this catalogue offers over 250 of his “portraits” gleaned (with his help) from the past 50 years of his career and commentary from several of his friends and admirers. ***
Harry Callahan: The Photographer at Work
by Britt Salvesen. 192 pp.; 9 ¾ x 12 1/8; 225 Illus., 213 Duotones, 12 Color; List of Plates; Select Bibliography. $50.00 Hardcover. An overview of Callahan’s work, The Photographer at Work offers a comprehensive look into his work and life. A man of vision, Callahan took the photograph to new heights, his often Hopperesque city scenes bringing the art to new experimental possibilities. Excellent reproductions, enhanced by the insightful commentaries of author Britt Salvesen and John Szarkowski. ****
Camille
Pissarro by Terence Maloon. 259 pp.; 9 3/8 x 11; 150 Color Illus.; Plates; List of Works. $45.00 Softcover. Five scholars combine their talents to present the work, life, and influence of Camille Pissarro, perhaps the most important figure to emerge from the French Impressionist Movement. Beautiful reproductions that cover the entire range of the artist’s oeuvre. *****
Moche Art and Archaeology in Ancient Peru
(Ed.) Joanne Pillsbury. 344 pp.; 9 1/8 x 11; 323 Illus., 13 in Color; Index. $40.00 Softcover. Joanne Pillsbury, Director of Pre-Columbian Studies at Dumbarton Oaks, presents new insights into the pre-Incan culture of the Mocha, sharing here for the first time the considerable amount of new material recently uncovered at several sites in Peru. Includes artifacts from the richest unlooted tomb ever discovered in the New World. Excellent reproductions are enhanced by scholarly commentary. ****
Frank Stella 1958
by Harry Cooper and Megan R. Luke. 168 pp.; 8 ¾ x 10 ¼; 79 Illus., 59 in Color; Plates; Bibliography; Index. $34.95 Softcover. Frank Stella once said, “What you see is what you see.” Apparently, some took that as a profound statement — profound enough, at any rate, for Cooper and Luke to scrutinize some 30 works from a single year, “1958”, deemed as an “important and productive” period of time. Published to coincide with an exhibition at the Arthur M. Sackler Museum, Harvard University Art Museums (thru Jul 16). **
Beyond
the Naked Eye: Details from the National Gallery by Jill Dunkerton and Rachel Billinge. 80 pp.; 7 7/8 x 7 5/8; 100 Color Illus. $16.95 Hardcover. For painter, art lover, or the simply curious, Beyond the Naked Eye offers a close-up (i.e. through the magic of microscopic photography) of some of the greatest treasures of the National Gallery. Includes detailed views of such masters as van Eyck, Raphael, Memling, Mantegna, and others. A beautiful little treasure. *****
Antonella Da Messina: Sicily’s Renaissance Master
by Gioacchino Barbera et al. 56 pp.; 8 x 10; 15 Illus., 14 in Color; Biographical Note; Selected Bibliography. $14.95 Softcover. This impressive little volume serves as the accompanying catalogue to an exhibition currently at The Metropolitan Museum of Art, NYC, (thru Mar 4). Among its several reproductions of Messina’s work, the book includes an introductory essay by Keith Christiansen and an overview of the artist’s life and work by Gioacchino Barbera, Director, Museo Regionale di Messina. ***

HARRY N. ABRAMS, INC.: China: The Three Emperors 1662—1795 by Regina Krahl et al. 496 pp.; 10 x 12 1/8; Over 500 Color Illus.; Endnotes; Bibliography; List of Works in Chinese Characters; List of Seals in Chinese Characters; Index. $95.00 Hardcover. This handsomely produced book presents the treasures collected under three emperors of the Qing Dynasty — Xuanye, his son Yinzhen, and his son Hongli — a dynasty that covered an incredibly rich cultural period in China’s history. Lavishly illustrated, The Three Emperors offers up a visual treat, while the extensive commentary enlightens the mind. A masterful work. *****
Degas, Sickert and Toulouse-Lautrec: London and Paris 1870—1910
(Eds.) Anna Gruetzner Robins and Richard Thomas. 224 pp.; 9 ½ x 12; 150 Color Illus.; Chronology; The L’Absinthe Controversy; Notes; Select Bibliography; Artists and Works in the Exhibition; Index. $55.00 Hardcover. An in-depth and highly readable account of the interchange of imagery and culture between France and England during the turn of the 19th-century. Exploring the work of a great many artists of the period, including the major figures of Degas, Sickert, and Toulouse-Lautrec as noted in the title, this volume serves as the accompanying catalogue to an exhibition that recently closed in Tate Britain and presently at The Phillips Collection, Washington, DC (thru 14 May). Lavishly illustrated. *****

PRESTEL: The Triumph of Nature: The Paintings of Helmut Ditsch by Carl Aigner and Reinhold Messner. 208 pp.; 13 ½ x 11 ½; 125 Illus., 100 in Color; Plates; Biography; List of Exhibitions. $49.95 Hardcover. This is one of the most beautiful books that has come across my desk in some time. The Triumph of Nature offers up the work of mountain-climber/painter Helmut Ditsch, his spectacular paintings of mountains enhanced by the words of fellow-climber Reinhold Messner and art historian Carl Aigner. Though much over-used, the term ‘magic realism’ applies here — and with spades! The detail and technical skill of combing oil and acrylic in Ditsch’s huge canvases — some encompassing entire mountain ranges — is breathtakingly awesome. Although Ditsch’s paintings are undoubtedly best-viewed first-hand, Prestel’s magnificent over-sized book goes a long way toward doing his spectacular work justice. *****
Franz Marc: The Retrospective
by Annegret Hoberg and Helmut Friedel. 336 pp.; 9 ½ x 11; Biography; List of Works; Bibliography. $60.00 Hardcover. Published to coincide with a major exhibition recently held at the Städtische Galerie im Lenbachhaus and the Kunstbau in Munich, Germany (a major holder of many of Marc’s work), The Retrospective offers the entire range of the artist’s work, from his early academic training on through his later expressionist work. Chronologically arranged, the book includes over 300 of Marc’s paintings, works on paper, postcards, and sculptures. As his early paintings indicate (especially his drawings), Marc evolved from strict linear draftsman to abstract colorist, picking up influences from van Gogh, Gauguin, Cézanne, Kandinsky, Delaunay, and others, gradually moving his art from representation to abstraction. Lavishly produced, this is one of the most comprehensive books of Franz Marc to date. Impressive. *****

GULOTTA COMMUNICATIONS, INC.: Psalms: The Saint John’s Bible by Donald Jackson. 80 pp.; 15 ¼ x 10 ¼; Color Illus. $59.95 Hardcover. No matter your religious preference, Psalms is a labor of love, a beautifully produced work features the calligraphy and illuminations of Donald Jackson. Hailed as “America’s Book of Kells”, this is indeed a beautiful book that will grace your library. *****

UNIVERSITY OF CALIFORNIA PRESS: Pieter Bruegel and the Art of Laughter by Walter S. Gibson. 266 pp.; 6 ¼ x 9 ¼; 84 B/W Illus.; Notes; Select Bibliography; Index. $49.95 Hardcover. Admired as a comic artist during his time, translated into a profound allegorist by later art historians, Pieter Bruegel is once again given back his humorous mantle by Walter S. Gibson who gives a serious look at what laughter really signifies in this excellent reassessment of the artist’s life and work. Very readable. ****

 UNIVERSITY OF WASHINGTON PRESS: Gabriele Münter: The Search for Expression 1906—1917 by Shulamith Behr et al. 128 pp.; 8 ½ x 10; 70 Color Illus.; Catalogue; Bibliography. $40.00 Softcover. Published to coincide with a recent exhibition of the same name at the Courtauld Institute of Art Gallery, Somerset House, London, Gabriele Münter presents an overview of the artist’s life and work. Münter, a companion of Wassily Kandinsky and co-founder along with him of Der Blaue Reiter expressionists, drastically changed her own style from traditional impressionism to ‘modernist’ during her extended stay with him in the little town of Murnau in Bavaria. Having made a brief visit to Murnau and its environs some years ago where I first came in contact with Münter’s paintings, I have come to admire this woman’s daring artistic journey. I believe readers will do the same upon browsing this newest catalogue of her work. ****
Artist as Narrator: Nineteenth Century Narrative Art in England and France
by Hardy S. George et al. 146 pp.; 9 x 12; 112 Illus., 74 in Color; Exhibition Checklist; Bibliography. $40.00 Softcover. Although much in disfavor in today’s art world, there is no denying the charm and attractiveness that narrative art has always held for the viewer. Published to coincide with a recent exhibition at the Oklahoma City Museum of Art, Artist as Narrator serves up a delightful pot pourri of realist and romantic paintings. Includes such masters of the genre as Alma-Tadema, Bonheur, Breton, Burnes-Jones, Daumier, Delacroix, Doré, Millais, and a great many more. A lovely book. *****
Raimonds Staprans: Art of Tranquility and Turbulence
by Paul J. Karlsrom et al. 160 pp.; 10 x 10; 107 Illus., 65 in Color; Notes; Chronology; Bibliography; Index. $30.00 Softcover. Whatever “tranquility and turbulence” might have occurred in this Latvian artist’s experience, there is little reflection of it in his stark, undramatically simplistic designs as illustrated in this catalogue that offers an overview of his life and work. ***
Into the Fray: The Eiteljorg Fellowship for Native American Fine Art, 2005
(Ed.) James H. Nottage. 128 pp.; 8 ½ x 11; 100 Color Illus.; Exhibition Checklist. $22.50 Softcover. Published in conjunction with a recent exhibition at the Eiteljorg Museum of American Indians and Western Art, Into the Fray features the work of 5 contemporary Native American artists. Excellent reproductions. ****

UNIVERSITY OF VIRGINIA PRESS: Lincoln Perry’s Charlottesville by Ann Beattie. 112 pp.; 9 ½ x 9; 160 Color Illus.; List of Plates. $39.95 Hardcover. This handsome little book covers some twenty years of Lincoln Perry’s painting forays in and around the lovely city of Charlottesville, Virginia. Having spent some time in that city some twenty-five years or so ago, I found both the painter’s vision and author Ann Beattie’s observations a particularly pleasant experience. Well worth the armchair visit. ****

OXFORD UNIVERSITY PRESS: Eroticism and Art by Alyce Mahon. 304 pp.; 6 7/8 x 9 5/8; B/W & Color Illus.; Notes; Bibliography; List of Illustrations; Index. $37.50 Hardcover. Focusing on the last 50 years of Western art, Eroticism and Art explores the role and significance of eroticism, with some research into what differentiates it from pornography. Scholarly and comprehensive. *****

AEBMedia: The Reissource Directory of the Arts: The Definitive Reference of the Cultural Community by Alvin H. Reiss. 200 pp.; 8 3/8 x 10 ¾; Indices. $34.95 Softcover. Organized by category, this Directory offers up over 400 national and international organizations that deal with the cultural community. Comprehensive and compact, this is an excellent reference tool for the busy artist seeking information on funding, workshops, conferences, publications — and more. ****

THE CORNING MUSEUM OF GLASS: 25 Years of New Glass Review by Tina Oldknow. 247 pp.; 9 1/8 x 9 1/8; 200 Color Illus.; Index of Artists. $29.95 Hardcover. Organized in 5 Sections — Vessels, Sculpture, Flat/Painted Glass, Installations/Architectural, Design — 25 Years of New Glass Review offers a selection of 200 objects from the Museum’s over 2500 works. Author Oldknow, Curator of Modern Glass, offers an overview of glass and its contribution to the world of art. Visually strong. ****

F&WPUBL./NORTH LIGHT: Creating Creatures of Fantasy and Imagination by Claudia Nice. 128 pp.; 8 ½ x 11; B/W & Color Illus.; Metric Conversion Chart; Index. $24.99 Hardcover. Author Claudia Nice offers up a wealth of tips and ideas on how to transform the ordinary to the extra-ordinary. Clear, easy-to-follow instruction. ***

STERLING PUBLISHING CO., INC.: 500 Bracelets: An Inspiring Collection of Extraordinary Designs (Ed.) Marthe Le Van. 360 pp.; 8 1/8 x 8; 500 Color Illus.; List of Contributing Artists. $24.95 Softcover. The newest release in their Lark Series of Crafts/Jewelry books, 500 Bracelets offers up a pot pourri of creations from some of the best craftsmen/jewelers working today. Includes the work of knitters, beaders, wood carvers, ceramicists, amd metalsmiths in the business. Beautiful reproductions. ****

INTERLINK PUBLISHING: 100 Best Paintings in London by Geoffrey Smith. 256 pp.; 5 x 9; Color Illus.; Index. $22.00 Softcover. Art for Travellers, Greece: The Essential Guide to Viewing Art in Greece by Bill & Lorna Hannan. 302 pp.; 5 x 7 ¾; B/W & Color Illus.; The Ancient World; Glossary; Index. $20.00 Softcover. As their titles indicate, both of these books serve as ‘guides’, the first to the author’s assessment of what are and where to find London’s “best” paintings. After information (address, opening hours, admission, etc.) about each of the several institutions, each entry has commentary on the art and artist. The second book offers a countrywide guide to Greece’s art with self-taken “art trail” and maps to help the visitor along the way. Extensive commentary about sites, institutions, art, and landmarks flesh out the guide. Both books are of handy size, easy to slip into backpack or carrying bag. ****

AMADEUS PRESS: The Steinway Collection: Paintings of Great Composers by James Huneker. 64 pp.; 9 ½ x 12 ¾; 12 Color Illus. $22.00 Hardcover. A re-printing of an original, in-house publication of Steinway & Sons in 1919, Paintings of Great Composers offers up a dozen portraits of such composers as Wagner, Beethoven, Mozart, and Verdi by such painters as N.C. and Andrew Wyeth, Harvey Dunn, and Charles E. Chambers — each with accompanying commentary. A handsome addition to the library of art or music lover. ****

ART-SITES PRESS: Art-Sites, London: The Indispensable Guide to Contemporary Art-Architecture-Design by Sidra Stich. 208 pp.; 5 ¼ x 8 ¼; B/W Illus.; Index. $19.95 Softcover. Complete with maps, commentary, and illustrations, Art-Sites, London is a pocketsize guide to the city’s notable art, architecture, and design. Includes addresses, opening hours, admissions, websites, and contact information for prior planning. ****

DOVER PUBLICATIONS: The Graphic Works of Odilon Redon by Alfred Werner. 209 pp.; 8 ½ x 11; B/W Illus.; List of Plates. $18.95 Softcover. The Art of Painting Animals by Frederic Sweney. 192 pp.; 8 3/8 x 11; 262 Illus., 26 in Color; Bibliography; Index. $14.95 Softcover. The Arthur Rackham Treasury (Ed.) Jeff A. Menges. 96 pp.; 8 3/8 x 11; 86 Color Illus. $12.95 Softcover. Anatomy for Artists by  Eugene Wolff. 194 pp.; 6 1/8 x 9 ¼; 165 Figures, 2 Color Plates; Appendices; Index. $12.95 Softcover. Plant and Floral Studies for Artists and Craftspeople by W.G. Paulson Townsend. 160 pp.; 6 ½ x 9 ¼; 114 B/W Illus. $10.95 Softcover. Mad Man’s Drum: A Novel in Woodcuts by Lynd Ward. 144 pp.; 6 1/8 x 9 ¼; B/W Illus. $7.95 Softcover. Drawing the Female Form by George B. Bridgman and Ben Pinchot. 64 pp.; 6 ½ x 9 ¼; 32 Halftones, 37 Drawings. $5.95 Softcover.  The latest selection of “how-to” books from Dover Publications, these reflect Dover’s continuing practice of publishing high-quality, well-written, very informative, and easily affordable texts for either the beginning or veteran artist. Always a bargain. *****

GIBBS SMITH, PUBL.: Alfreda’s World by Mary Whyte. 90 pp.; 8 ½ x 8 ½; B/W & Color Illus.; List of Illustrations. $16.95 Flapped Softcover. In Alfreda’s World, author Mary Whyte tells in words and pictures the story of the Gullah culture of South Carolina. A very pleasant read. ***

Compiled by Raymond J. Steiner

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