Culturally Speaking By
CORNELIA SECKEL This issue covers
both January and February, and gives us time to explore the arts in places
we can’t get to during the rest of the year with its regular monthly
deadlines, and allows for some welcome (and must-needed) R&R. We will
be traveling to Europe to visit Budapest, Vienna, Munich, Cologne, and
Northern Italy. The March issue will have reports from our trip. Keep
in mind that the office will be semi-closed until February 7th
with phone, email and snail mail monitored and responded to by Mimi,
our hard-working and excellent assistant. This
past month saw numerous group Holiday Shows and Arts and Crafts Fairs
at galleries, arts centers and schools throughout our region. This is
always a good opportunity to buy gifts for family, friends and yourselves.
The Annual 5x7 Show at the Woodstock Guild in Woodstock,
NY is always a lot of fun. Each year I try to guess which artists painted
which little painting — a secret unveiled to the buyer only. The
Annual Thumb-Box Show at the Salmagundi Club, NYC had over
200 works by members. The term thumb-box comes from, according
to Gaye Elise Beda, long time member of the club, “…painting
outdoors and using a cigar box with thumb holes in the bottom. It made
for a small easel and excellent for sketch painting outdoors on cold,
windy days in the early 1900’s.” Some of these Holiday shows
will run through January. Jeffrey
Kosmacher, Director of Media Relations at Vassar College in
Poughkeepsie, NY, sent me a copy of Vassar College: The Campus Guide:
An Architectural Tour by Karen Van Lengen and Lisa
Reilly with photographs by Will Faller and a forward by Frances D.
Fergusson, College President. This beautiful book about the intriguing
architecture of the campus has hundreds of excellent photographs of the
exterior and interiors of buildings and grounds. Will is a fine art photographer
and that is evident in this book. While
delivering the December issue I came across works by Jo Owens Murray
at the Pleiades Gallery in Chelsea, NYC. “Found Identities”
is an exhibit of surrealist works. The artist has created fabulous sculptures
of beads and other found objects including jewelry, feathers, and decorative
pieces made of metal and plastic. Each of her sculptures has a strong
identity, each making different political, social, and artistic statements.
The work was very well done with great care and precision. One of the
sculptures called Trophy Wife (21" x 17.5") is
of a woman’s face (created with beads and jewelry) mounted on a
backboard with deer horns, (as any deer head might be mounted) and a fur
scarf around her neck. More of her work can be seen at www.artbyjo.com
I
was invited to Maplewood, NJ by Jackie Hership, co-founder
of Professionals in Media to speak about how I
began ART TIMES at their annual Pot Luck Holiday Party held at Les Saisons, an exquisitely
decorated B&B run by Art & Libby Christensen. I’ve
written the story of the origin of our publication (it is online on our
website), but never actually gave a talk on this topic to a group. I was
pleased to be asked, and spoke about the founding, the mechanics, the
problems and the perks. The response was heartwarming as numerous people
thanked me and said how inspiring the story was, and of how it validated
for them so many of their own struggles. As
I was going to be in Maplewood for the evening meeting, Jackie asked if
I’d be willing to meet with Patrick Morrissy from HANDS,
Inc. He had initiated projects that would revitalize the community of Orange
and one of the focuses was through the arts. I said I would be pleased
to meet with him and I would also visit some of the galleries and centers
I went to on my first exploratory mission to S. Orange / Maplewood several
years ago. Before
we met up with Pat, I stopped in at the Robin Hutchins Gallery
where a group exhibit of paintings was on view and across the street to
Classic Design Framing, a frame shop and art gallery owned by Krista
Fahey. On view was paintings (mixed media, handmade paper) and jewelry
by Joanne Miller Rafferty. There were great swirls of color and
texture that gave a sense of landscapes to be explored. The necklaces
and pins kept the same delightful designs and fine craftsmanship seen
in her paintings. Krista told me that 15 works were sold during the show
with prices ranging from $75 to $4500. Just a year ago the frame shop
also became a gallery showing fine art, prints, blown glass, and jewelry
by local and regional artists. Take a look at www.classicdesignframing.com Patrick Morrissy is living his dream. Patrick
said that he joined the war on poverty when, as a young man growing
up in a working class family in a comfortable community outside of Detroit,
Michigan, he was strongly impacted by Michael Harrington’s book The Other America, a classic account of an
isolated and self-perpetuating underclass which was originally published
in 1962. He came to NJ to work with some friends, and in 1986 he
and a group of clergy and community leaders began HANDS — Housing
and Neighborhood Development Services, Inc. of which he is the Executive Director, to ensure that the neighborhoods
of Orange and East Orange, NJ remain good places to raise a family. Their
strategy is to revitalize neighborhoods by clearing the legal titles,
purchasing the properties, and developing them as housing for first-time
home owners, condominium apartments where artists can live and work, and
for arts-related businesses to rent and own storefronts. Many of the properties
that they have taken over were places with environmentally dangerous refuse
on them, and where unhealthy and illegal activities took place. In
cities across the US, the arts have proved to
be an engine of neighborhood revitalization, economic development, job
creation, career enhancement, and educational improvement. Different places
have come up in my column and just last month I wrote about Media Loft
in New Rochelle. From the materials I got from HANDS, I learned that during
the summer and fall of 2003 a group of graduate students and faculty from
Seton Hall University involved over 670 adults and children through
surveys, focus groups, and interviews aimed at determining the interest
of creating a neighborhood arts program in Orange – centered around
the Valley, a section of Orange with many abandoned factories, and neighborhoods
that could use support. And so fuel was added to HANDS and to Patrick
Morrissy to fight poverty, enrich a community, and to create opportunities
for the arts and artists. HANDS is currently developing two sites in the Valley that will contribute to the neighborhood arts program: The Brass Co. on Freeman Street will have four storefronts available for arts-related businesses or arts programs and development of the F. Berg hat factory (with 3 buildings as part of the complex) which will include a mixed-use of 29 loft condominiums and about 8500 sq ft for other arts-related commercial businesses, programs and activities.
By
turning these deserted and decrepit buildings into usable spaces, the
arts are supported and the community will be supported by the arts enriching
their lives economically, culturally, and educationally. Patrick went
from being a builder swinging a hammer to developing properties that have
a wide and deep positive impact on people and their communities. Bravo
to all the people that are helping to make this work a reality. Later in the day I met with Ellen Greenfield and Chuck Miley at the Maplewood
1978 Arts Center. This space was just a dream last time I was in town
and now they have classes for children and adults as well as programs,
exhibits and an annual crafts Fair. Currently on view was “Banned
Books”, an exhibit of works by 23 artists that Chuck was able
to reinstall at the center after its debut at the Morris County Library.
Ellen is very involved with the South Orange Maplewood Artists’
Network. One of their projects is a monthly arts calendar (email:
somaartnet@comcast.net to get onto their
mailing list). Last year they also held an Artists Studio Tour
with over 40 artists participating. The next exhibit, curated by SK
Duff, at the 1978 Arts Center is “Infiltrations”,
work by contemporary artists influenced by or having elements of Folk
Art in their work. A
brief reminder that we are now accepting advertising on our website. For
information contact us by phone, email or mail or go online to see the
ads and our rate schedule. That’s about it for this month. Enjoy
the replenishing of these winter months and I’ll see you out and
about. |