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Compiled by RAYMOND J. STEINER
ART TIMES January/February 2007

 

ABBEVILLE PRESS: Hieronymus Bosch by Larry Silver. 416 pp.; 11 ¼ x 13 1/8; 310 B/W & Color Illus.; Notes; Bibliography; Index of Names; Index of Works. $135.00 Hardcover. Availing himself of recent scholarship and the newest technology, author Larry Silver, Farquhar Professor of Art History at the University of Pennsylvania and a leading historian on Northern Renaissance art, offers up the most definitive monograph on Hieronymus Bosch to date. Lavishly illustrated, handsomely produced in oversized format, and meticulously researched, Hieronymus Bosch carefully explores the often-nightmarish mind of this ever-illusive artist. Enormously impressive in its scholarly detail. *****

PHAIDON PRESS, INC.: Dada by Rudolf Kuenzli. 304 pp.; 11 3/8 x 9 7/8; B/W & Color Illus.; Artists’ Biographies; Authors’ Biographies; Bibliography; Index. $75.00 Hardcover. Surely the most exhaustive survey of the subject, Dada by Rudolf Kuenzli offers up all you ever wanted to know — or didn’t care to know — about the well-ballyhooed anti-everything art movement of the 20th Century. Includes the whole array of notables and the entire gamut of their “creative” output. Lavishly illustrated and impressively oversized, Dada will probably serve as the definitive study of the movement for some time to come. *****

UNIVERSITY OF ROCHESTER PRESS: Seeing America: Painting and Sculpture from the Collection of the Memorial Art Gallery of the University of Rochester by Marjorie B. Searl et al. 336 pp.; 9 ¼ x 12 ¼; B/W & Color Illus.; Notes; Index. $65.00 Hardcover. With paintings from John Singleton Copley to Andy Warhol, the Memorial Art Gallery seems to have representative of the entire range of American artists within its walls. Handsomely produced with both full color and black and white reproductions of their collection alongside commentary for each inclusion, Seeing America stands as an impressive tribute to the University of Rochester. *****

HAUS PUBLISHING/IPM INC.: Rembrandt: Images and Metaphors by Christian Tümpel. 304 pp.; 10 x 11 ¾; B/W & Color Illus.; Notes; Bibliography; Index of Illustrations. $60.00 Hardcover. Lavishly illustrated and handsomely produced, Images and Metaphors ignores the myths and legends that have grown up over the centuries about Rembrandt Harmenszoon van Rijn and replaces them with a hard look of the facts, creating thereby entirely new avenues into the creative genius of this painter. An impressive accomplishment! *****

YALE UNIVERSITY PRESS: Claude Lorrain: The Painter as Draftsman: Drawings from the British Museum by Richard Rand. 176 pp.; 9 7/8 x 10 7/8; 150 Illus., 110 in Color; Maps; Checklist of the Exhibition; Select Bibliography; Index. $55.00 Hardcover. The accompanying catalogue to an exhibition currently at the California Palace of the Legion of Honor Fine Arts Museum of San Francisco (thru Jan 14, ’07) that will travel to the Sterling and Francine Clark Art Institute, Williamstown, MA (Feb 4—Apr 29, ’07), The Painter as Draftsman presents a comprehensive overview of the drawings and sketches of Claude Lorrain. Excellent reproductions (many for the first time published in color) and a scholarly and informative essay by Richard Rand, Senior Curator at the Clark Institute, make this an important contribution to our knowledge of Lorrain and his painstaking techniques. *****

Da VINCI: Extraordinary People Plus Unique, Above Average Children (Also known as “A Few of the 6001 Ways to Train a Child That You Would Never Think Possible) by Ginger Wallace. 167 pp.; 10 x 12; Color Illus.; Index. $40.00 Softcover. Delightfully zany, this “painstakingly researched and scientifically illustrated” book will dazzle you. Outrageously funny, buying this book will not only make you (or someone else on your holiday shopping list) happy, but all profits (the author promises) will go to supporting such arts organizations as the San Diego Art Institute that help support and encourage emerging artists. *****

POMEGRANATE COMMUNICATIONS, INC.: Robert Kushner: Wild Gardens by Michael Duncan and Robert Kushner. 120 pp.; 10 x 9 ¼; Color Illus.; Biography; List of Plates. $35.00 Hardcover. Delicate floral decoration and subtle color harmonies characterize this sampling of Robert Kushner’s oil and acrylic (some with gold leaf) works on discarded Japanese screens. Handsomely produced. ****

UNIVERSITY OF CALIFORNIA PRESS: The Sculpture of Ruth Asawa: Contours in the Air (Ed.) Daniell Cornell, et al. 256 pp.; 9 ½ x 11; 200 Illus., 150 in Color; Checklist of Exhibition; Notes; Bibliography; Chronology; Index. $34.95 Softcover. Published in conjunction with an exhibition currently on view at the de Young, Fine Arts Museums of San Francisco (thru Jan 28, ’07) and which will then travel to the Japan American national Museum, Los Angeles (Mar—Jun ’07) and the Japan Society, NYC (Fall ’07), Contours in the Air chronicles the life and sculptural work of Ruth Asawa. Elegantly visionary, Asawa derives her inspiration from the Buddhist ethos inculcated by her parents. Beautiful reproductions. ****
John James Audubon and
The Birds of America: A Visionary Achievement in Ornithology Illustration by Lee A. Vedder. 100 pp.; 6 x 9; 47 Color Illus.; Endnotes; Selected Plates and Commentaries; Reference Bibliography; Index. $24.95 Hardcover. This lovely little book — sure to please art lover as well as dedicated birder — makes use of Audubon’s own writings along with latest scholarship to render a rounded look at his life and accomplishments. Includes some 435 full color reproductions selected from the Huntington Library folio collection. *****

SCALA/THE FRICK COLLECTION: Building The Frick Collection: An Introduction to the House and its Collections by Colin B. Bailey. 128 pp.; 8 ¼ x 9 7/8; B/W & Color Illus.; Select Bibliography; Index. $14.95 Softcover. Connoisseurs of fine art from around the world have long had The Frick Collection on their traveling itineraries; now they can have an insider’s view on how it all came together. Building The Frick Collection includes full commentary on the architecture, the family biography, and the growth of the institution along with a photographic chronicling that includes a wealth of detail illustrations of both the building and of its art. ****