January/ February 2012
Masterpieces of Italian Portraiture by Jörg Iwan;
Raleigh on Film; DeVillez Speaks Out; Behrens on Music;Trevens on Clive Barnes Foundation; Bethune on Theatre; Steiner Potpourri of Reviews; Seckel on Cultural Scene; Steiner Peeks & Piques; Seckel in Puerto Rico;
NEW for February online
Calendar of Events; Opportunity Listings
Behrens Review of New CDs & DVDs;
Trevens dance; Raleigh on film;
Steiner 's Peeks & Piques;
Seckel on the Cultural Scene
NEW Dance: Labors for Loves Lost —The Clive Barnes Foundation
Are you willing to spend half a C note at a restaurant or theater on an untried commodity, about which you know little or nothing? Are you more prone to go to the same item on a menu, or the same dance company? |
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Culturally Speaking
… In November, 81 newly elected members of the National Association of Women Artists (est. 1889) were inducted into the organization at a general meeting held at the Rubin Museum of Art in NYC. Currently, more than 800 artist members are located in 42 of the 50 States with members working in a variety of mediums within the visual arts. The heads of the various committees spoke and new members were then able to sign up for specific volunteer work for the organization. … (See Essay) |
NEW Film:
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NEW Peeks & Piques: Creativity— Good or Bad?
I’VE BEEN TOLD that it is written in the Koran: “If you want to speak to God, go to the mosque; but if you want to hear His answer, go to the desert.” I’ve always liked that concept of going where no one else is to “hear” the voice of God — you know, “far from the madding crowd” and all. Having no nearby desert, I choose to go to my woods — to meditate, to let my mind wander, sometimes to paint..……(See essay) |
NEW Music: Reviews of Recent releases on CD & DVD
AMAZING GRACE There are some songs that persist in fascinating its hearers over the centuries. Take “Greensleeves,” for instance, with its multiple sets of lyrics that celebrate love, the New Year, and the Nativity. Or consider “Simple Gifts,” that shows up in so many song recitals and even in a Copland ballet score, or indeed any other tune that persists through the ages. But the one song with the most active longevity, if I may put it that way, is the subject of this report. |






















